Resume

Charles Heyward Meyer
charleshmeyer@hotmail.com
(352) 262-5410

PROFESSIONAL EXPERIENCE

Feb 2011-present
Cinespect, www.cinespect.com
Executive Editor

2010-2011
University of Florida, Reading and Writing Center
writing tutor

2004-2010
University of Florida, Department of English
instructor, Film Analysis; Introduction to Film Criticism and Theory

2003-2010
University of Florida, University Writing Program
instructor, Introduction to College Writing; Rhetoric and Academic Research

Nov 2007 and Apr 2009
Santa Fe College, Humanities Department
Delivered fifty-minute guest lecture on film studies
in both sections of Emory M. Zink’s course,
Introduction to the Humanities

Feb 2005-Apr 2006
University of Florida, Graduate Film Studies Group
president, founder, and Graduate Film Studies Group Symposium founder

Feb 2002-May 2003
University of Florida, Society of Art History Graduates
president, founder, and University of Florida Art History
Graduate Student Symposium founder

2000-2001
University of Florida, School of Art and Art History
instructor, Survey of Western Art II

EDUCATION

Aug 2003-present
University of Florida, Department of English
PhD student in the Film and Media Studies Program
Dissertation (in progress): Unconscious Film Trilogies

Aug 2000-May 2003
University of Florida, School of Art and Art History
M. A. in art history
Thesis: “I Am the Father, You Are the Son:
Paul McCarthy and Mike Kelley’s Critiques of Patriarchal Culture”

Jun-Aug 2005
Middlebury College French School, Middlebury, VT
Three courses in French.  Completed second-year French language immersion program.

Jun-Aug 1999, 2000, 2001
Middlebury College German School, Middlebury, VT
Eight courses in German.  Completed fourth-year German language immersion program.

Jan-May 1999, Mar-May 2000
The Savannah College of Art and Design, Savannah, GA
Six courses in art history.

Jan-Feb 2000
The Goethe Institute, Munich, Germany
Course in advanced intermediate German.

Sep-Dec 1999
Eurocentres, Cologne, Germany
Course in intermediate German.

Aug 1994-May 1998
Kenyon College, Gambier, Ohio
B. A. in Spanish
Senior thesis: “Dalí y El Angelus de Millet: Un analisis critico

LANGUAGES

English, German, French

PUBLICATIONS

“The Self as Self-Portrait.” Cinespect. June 12, 2012. http://cinespect.com/?p=3558

“Cannes 2012: Brief Encounters.” Cinespect. June 4, 2012. http://cinespect.com/?p=3545

“Cannes 2012: Cosmopolitan Drift.” Cinespect. May 26, 2012. http://cinespect.com/?p=3536

“Cannes 2012: Short Takes.” Cinespect. May 26, 2012. http://cinespect.com/?p=3532

“Cannes 2012: Saturday Bloody Saturday.” Cinespect. May 23, 2012. http://cinespect.com/?p=3516

“Cannes 2012: Cardboard Kingdom.” Cinespect. May 19, 2012. http://cinespect.com/?p=3497

“Living Doll.” Cinespect. March 1, 2012. http://cinespect.com/?p=3099

“Essential Rendezvous.” Cinespect. February 28, 2012. http://cinespect.com/?p=3077

“Neither Man nor Woman, Just a Perhapser.” Cinespect. February 7, 2012
http://cinespect.com/?p=2893

“Prepare the Bottle & Prepare for Battle.” Cinespect. January 25, 2012
http://cinespect.com/?p=2837

“A Very Sexy Documentary.” Cinespect. January 17, 2012
http://cinespect.com/?p=2790

“Unbearable Brightness.” Cinespect. January 15, 2012
http://cinespect.com/?p=2784

“Notes on Bresson.” Cinespect. January 7, 2012
http://cinespect.com/?p=2717

“The Passion of the Hit Man.” Cinespect. December 26, 2011
http://cinespect.com/?p=2659

“Meth in His Madness.” Cinespect. December 20, 2011
http://cinespect.com/?p=2602

“All Hail the Conquering Schlockmeister.” Cinespect. December 14, 2011
http://cinespect.com/?p=2577

“Hell Is Other People.” Cinespect. December 14, 2011
http://cinespect.com/?p=2566

“Ratting Out Big Tobacco.” Cinespect. December 12, 2011. http://cinespect.com/?p=2544

“House of Pain.” Cinespect. December 10, 2011. http://cinespect.com/?p=2533

“Arch Madness.” Cinespect. December 8, 2011. http://cinespect.com/?p=2521

“Rediscovering the French New Wave.” Cinespect. December 5, 2011. http://cinespect.com/?p=2496

“The Wrath of Ralph.” Cinespect. November 30, 2011. http://cinespect.com/?p=2474

“Fifteen Minutes with You.” Cinespect. November 21, 2011. http://cinespect.com/?p=2444

“Silent Cinema Reborn.” Cinespect. November 21, 2011. http://cinespect.com/?p=2438

“See You Next Year: SFF Journal, Entry Fourteen.” Cinespect. November 15, 2011. http://cinespect.com/?p=2332

“Paterfamilias in a Pinch.” Cinespect. November 15, 2011. http://cinespect.com/?p=2387

“The Work of Love: SFF Journal, Entry Thirteen.” Cinespect. November 14, 2011. http://cinespect.com/?p=2380

“The Duplass Era: SFF Journal, Entry Twelve.” Cinespect. November 12, 2011. http://cinespect.com/?p=2368

“End of Story.” Cinespect. November 11, 2011. http://cinespect.com/?p=2364

“Down into Hatch: SFF Journal, Entry Eleven.” Cinespect. November 9, 2011. http://cinespect.com/?p=2327

“Mooring as Metaphor: SFF Journal, Entry Ten.” Cinespect. November 9, 2011. http://cinespect.com/?p=2324

“Electrate Youth: SFF Journal, Entry Nine.” Cinespect. November 7, 2011. http://cinespect.com/?p=2321

“Spread the Word: SFF Journal, Entry Eight.” Cinespect. November 6, 2011. http://cinespect.com/?p=2295

“Arch Madness: SFF Journal, Entry Seven.” Cinespect. November 3, 2011. http://cinespect.com/?p=2299

“Kittlybenders,” “Rents,” “Tracks and Paths,” and “Unexplorable.” In Robert B. Ray. Walden x 40. Bloomington, Indiana: Indiana University Press, 2011. http://www.iupress.indiana.edu/product_info.php?products_id=783965

“Eau Crap: SFF Journal, Entry Six.” Cinespect. November 2, 2011. http://cinespect.com/?p=2288

“The Wrath of Ralph: SFF Journal, Entry Five.” Cinespect. November 1, 2011. http://cinespect.com/?p=2273

“Unbearable Brightness: SFF Journal, Entry Four.” Cinespect. November 1, 2011. http://cinespect.com/?p=2268

“Wedding Bell Blues: SFF Journal, Entry Three.” Cinespect. October 31, 2011. http://cinespect.com/?p=2263

“The Dueling Life: SFF Journal, Entry Two.” Cinespect. October 31, 2011. http://cinespect.com/?p=2249

“Homeward Bound: SFF Journal, Entry One.” Cinespect. October 28, 2011. http://cinespect.com/?p=2193

“Yawning at the Margin.” Cinespect. October 20, 2011. http://cinespect.com/?p=2151

Reviews of “Corman’s World,” “Goodbye First Love,” “The Artist,” and “The Descendants.” Cinespect. October 14, 2011. http://cinespect.com/?p=2113

“Forget ‘The Way.'” Cinespect. October 7, 2011. http://cinespect.com/?p=2066

“Pop Marx.” Cinespect. October 5, 2011. http://cinespect.com/?p=2058

Review of “Carnage.” Cinespect. September 30, 2011. http://cinespect.com/?p=2030

“Baking Pans for Nigel.” Cinespect. September 26, 2011. http://cinespect.com/?p=1999

“Cabin Fever Dream.” Cinespect. September 22, 2011. http://cinespect.com/?p=1993

“There and Back Again.” Cinespect. September 9, 2011. http://cinespect.com/?p=1925

“The Kid’s Not All Right.” Cinespect. September 2, 2011. http://cinespect.com/?p=1878

“Tokyo, Mon Amour.” Cinespect. August 26, 2011. http://cinespect.com/?p=1848

“Cinespect’s Guide to the Anthology’s ‘William Lustig Presents.'” Cinespect. July 15, 2011. http://cinespect.com/?p=1712

“Q&A with Filmmaker and Anthology Film Archives Guest Curator William Lustig.” Cinespect. July 12, 2011. http://cinespect.com/?p=1701

“Got Freedom?” Cinespect. July 7, 2011. http://cinespect.com/?p=1688

“Against All Odds.” Cinespect. June 23, 2011. http://cinespect.com/?p=1640

“A Filmable Feast.” Cinespect. May 19, 2011. http://cinespect.com/?p=1553

“Double Trouble: Cannes Journal, Entry Five.” Cinespect. May 18, 2011. http://cinespect.com/?p=1539

“Childhood’s End, Part Two: Cannes Journal, Entry Four.” Cinespect. May 14, 2011. http://cinespect.com/?p=1534

“Childhood’s End, Part One: Cannes Journal, Entry Three.” Cinespect. May 13, 2011. http://cinespect.com/?p=1524

“Fairy Tales for Adults: Cannes Journal, Entry Two.” Cinespect. May 12, 2011. http://cinespect.com/?p=1510

“Setting the Scene: Cannes Journal, Entry One.” Cinespect. May 11, 2011. http://cinespect.com/?p=1505

“The Insane Natural: An Unconscious Film Trilogy.” Cinespect. February 23, 2011. http://cinespect.com/?p=1197

“Cubicle Rebellion, or Three Ordinary Guys with Nothing to Lose: An Unconscious Film Trilogy.”  Cinespect.  February 7, 2011. http://cinespect.com/?p=1094

“The Elusive but Wonderful Films of Patricia Gozzi.”  Cinespect.  February 4, 2011. http://cinespect.com/?p=1086

La bicyclette bleue: A Gainesville-Paris Research Project.”  The Satellite.  Vol. 7, No. 11: November 5, 2008.  pp. 14-15.  http://www.satellitemag.com/la-bicyclette-bleue-a-gainesville-paris-research-project

“Punch-Drunk Cinéphilia: A Review of Evan McIntyre’s Paintings at Sharab Lounge.”  The Fine Print.  Vol. 1, No. 3: November/December 2008.  p. 10. http://www.thefineprintuf.org/2008/11/04/punchdrunkcinphiliaareviewofevanmcintyrespaintingsatsharablounge/

“Urine, Feces, and Art: A Urinary/Intestinal/Historical Tract.”  The Satellite.  Vol. 7, No. 9: September 3, 2008.  pp. 22-23.  http://satellitemag.com/urine-feces-and-art-a-urinalintestinalhistorical-tract

“The Persistence of Cookie Tins: A Review of John Patterson’s Collages at Volta Coffee.”  The Satellite.  Vol. 7, No. 7: July 2, 2008.  pp. 15 & 21.  http://satellitemag.com/the-persistence-of-cookie-tins-a-review-of-john-patterson%E2%80%99s-collages-at-volta-coffee

Co-authored essays: “Flaemmchen,” “Louisiana Flip,” “Pavlova,” “Room Assignments,” “Victor,” and “Spade’s Bed” in Robert B. Ray.  The ABCs of Classic Hollywood.  Oxford and New York: Oxford University Press, 2008. http://www.oup.com/us/catalog/general/subject/Communication/FilmTelevisionStudies/~~/dmlldz11c2EmY2k9OTc4MDE5NTMyMjkyNw==

AFFILIATIONS
Society for Cinema and Media Studies, member since 2002
Popular Culture Association, member from 2003-2004
College Art Association, member from 2002-2003

CONFERENCES
Mar 2011
The Society for Cinema and Media Studies Annual Conference
Presented paper, “Slips in Film Reading Revisited”

Feb 2009
The University of Louisville
37th Annual Louisville Conference on Literature & Culture since 1900
Presented paper, “Slips in Film Reading as Artifacts”

Mar 2005
France-Florida Research Institute
Verbal, Visual, Virtual: New Canons for the Twenty-First Century
22nd Annual French and Francophone Studies International Colloquium
Presented paper, “French Patriotism and the Mythic Fantasy
of America in Jacques Tatí’s Jour de fête

University of Florida
Grave Re-Marx: The Accumulating Dead
7th Annual Marxist Reading Group Conference
Moderated panel, “Zombie Dreams, Consumer Nightmares”

Jan 2005
Florida State University
Trans/National Film and Literature: Cultural Production and the Claims of History
30th Annual Conference on Literature and Film
Presented paper, “French Patriotism and the Mythic Fantasy
of America in Jacques Tatí’s Jour de fête

Apr 2004
San Antonio, Texas
2004 National PCA/ACA and SW/Texas PCA/ACA Joint Conference
Presented paper, “‘They All Matter…Don’t They?:’ Elliptical Time
in Vincente Minnelli’s The Clock vs. Real Time in Agnes Varda’s Cleo from 5 to 7

Feb 2004
Florida State University
The Persistence of Form: Culture, History, and the Aesthetic
29th Annual Conference on Literature and Film
Presented paper, “‘They All Matter…Don’t They?:’ Elliptical Time
in Vincente Minnelli’s The Clock vs. Real Time in Agnes Varda’s Cleo from 5 to 7

Apr 2003
Indiana University
Subjects of Desire: Social, Sexual, and Spiritual
13th Annual Graduate Art History Symposium
Presented paper, “Glam Acconci”

University of Florida
Insatiable Crises: The 3rd Annual UF-EGO Interdisciplinary Conference
Presented paper, “Sad Sack and Sad Jack: The Crises of Americanism”

Mar 2003
University of Florida
Museum as Archive: Archive as Museum:
The University of Florida Art History Graduate Student Symposium
Acted as moderator and principal organizer

Florida State University
21st Annual Graduate Student Symposium
Presented paper, “An Anarchitecture”

Apr 2002
University of Florida
Theoretical Misfits: The 2nd Annual UF-EGO Interdisciplinary Conference
Presented paper, “Heidi Inverted”

Mar 2000
The Savannah College of Art and Design
2nd Annual Art History Symposium
Presented award-winning paper, “The Use of Polykleitos’s Doryphoros
as a Model for Roman Imperial Portraiture”

Publications



"Ratting Out Big Tobacco." Cinespect. December 12, 2011.

"House of Pain." Cinespect. December 10, 2011.

"Rediscovering the French New Wave." Cinespect. December 5, 2011.

"Fifteen Minutes with You." Cinespect. November 21, 2011.

"Silent Cinema Reborn." Cinespect. November 21, 2011.

"See You Next Year: SFF Journal, Entry Fourteen." Cinespect. November 15, 2011.

"Paterfamilias in a Pinch." Cinespect. November 15, 2011.

"The Work of Love: SFF Journal, Entry Thirteen." Cinespect. November 14, 2011.

"The Duplass Era: SFF Journal, Entry Twelve." Cinespect. November 12, 2011.

"End of Story." Cinespect. November 11, 2011.

"Down into Hatch: SFF Journal, Entry Eleven." Cinespect. November 9, 2011.

"Mooring as Metaphor: SFF Journal, Entry Ten." Cinespect. November 9, 2011.

"Electrate Youth: SFF Journal, Entry Nine." Cinespect. November 7, 2011.

"Spread the Word: SFF Journal, Entry Eight." Cinespect. November 6, 2011.

"Arch Madness: SFF Journal, Entry Seven." Cinespect. November 3, 2011.

"Eau Crap: SFF Journal, Entry Six." Cinespect. November 2, 2011.

"The Wrath of Ralph: SFF Journal, Entry Five." Cinespect. November 1, 2011.

"Unbearable Brightness: SFF Journal, Entry Four." Cinespect. November 1, 2011.

"Wedding Bell Blues: SFF Journal, Entry Three." Cinespect. October 31, 2011.

"The Dueling Life: SFF Journal, Entry Two." Cinespect. October 31, 2011.

"Homeward Bound: SFF Journal, Entry One." Cinespect. October 28, 2011.

"Yawning at the Margin." Cinespect. October 20, 2011.

Film reviews of "Corman's World," "Goodbye First Love," "The Artist," and "The Descendants." Cinespect. October 14, 2011.

"Forget 'The Way.'" Cinespect. October 7, 2011.

"Pop Marx." Cinespect. October 5, 2011.

Film review of "Carnage." Cinespect. September 30, 2011.

"Baking Pans for Nigel." Cinespect. September 26, 2011.

"Cabin Fever Dream." Cinespect. September 22, 2011.

"There and Back Again." Cinespect. September 9, 2011.

"The Kid's Not All Right." Cinespect. September 2, 2011.

"Tokyo, Mon Amour." Cinespect. August 26, 2011.

"Cinespect's Guide to 'William Lustig Presents.'" Cinespect. July 15, 2011.

"Q&A with Filmmaker and Anthology Film Archives Guest Curator William Lustig." Cinespect. July 12, 2011.

"Got Freedom?" Cinespect. July 7, 2011.

"Against All Odds." Cinespect. June 23, 2011.

"A Filmable Feast." Cinespect. May 19, 2011.

"Double Trouble: Cannes Journal, Entry Five." Cinespect. May 18, 2011.

"Childhood's End, Part Two: Cannes Journal, Entry Four." Cinespect. May 14, 2011.

"Childhood's End, Part One: Cannes Journal, Entry Three." Cinespect. May 13, 2011.

"Fairy Tales for Adults: Cannes Journal, Entry Two." Cinespect. May 12, 2011.

"Setting the Scene: Cannes Journal, Entry One." Cinespect. May 11, 2011.

"The Insane Natural: An Unconscious Film Trilogy." Cinespect. February 23, 2011.

"Cubicle Rebellion, or Three Ordinary Guys with Nothing to Lose: An Unconscious Film Trilogy." Cinespect. February 7, 2011.

"The Elusive but Wonderful Films of Patricia Gozzi." Cinespect. February 4, 2011.

“La bicyclette bleue: A Gainesville-Paris Research Project.” The Satellite. Vol. 7, No. 11: November 5, 2008. pp. 14-15.

“Punch-Drunk Cinéphilia: A Review of Evan McIntyre’s Paintings at Sharab Lounge.” The Fine Print. Vol. 1, No. 3: November/December 2008. p. 10.

“Urine, Feces, and Art: A Urinary/Intestinal/Historical Tract.” The Satellite. Vol. 7, No. 9: September 3, 2008. pp. 22-23.

“The Persistence of Cookie Tins: A Review of John Patterson’s Collages at Volta Coffee.” The Satellite. Vol. 7, No. 7: July 2, 2008. pp. 15 & 21.